שי בידרמן, ד"ר
פילוסופיה וקולנוע, פילוסופיה וספרות, פילוסופיה ותרבות פופולרית, אסתטיקה, אתיקה, אקזיסטנציאליזם.
ספרים עריכה
1. Biderman, S. and I. Lewit, eds. (2016). Mediamorphosis: Kafka and the Moving Image. Wallflower Press (an imprint of Columbia University Press), 360 pp.
2. Devlin, William J. and S. Biderman, eds. (2011). The Philosophy of David Lynch. Kentucky, The University Press of Kentucky, 242pp.
כתבי עת שפיטים
1. Biderman, S. (2014). "Into the Wild (West): Philosophy and Cinematic Mythmaking." Existenz: An International Journal in Philosophy, Religion, Politics and Arts 9(2): 53-62.
2. Biderman, S. (2014). “A Night at the Opera of Talmudic Reasoning: The “Jewishness” of Jewish Cinema”. Cinema: Journal of Philosophy and the Moving Image. 4:14-27.
3. Biderman, S. and W. Devlin (2012). “Sartre’s Existential Analysis of Moral Dilemmas through Gone Baby Gone.” Film and Philosophy. 16: 70-81.
4. Biderman, Shai. (2009). “The Big Leap: Heidegger, Nietzsche, Kafka”. Time, Memory, and Cultural Change. Eds. S. Dempsey and D. Nichols. Vienna: IWM Junior Visiting Fellows’ Conferences, Vol. 25 (http://www.iwm.at/publications/5-junior-visiting-fellows-conferences/vol-xxv/the-big-leap/)
פרקים בספרים שפיטים
1. Biderman, S. (2017). A Touch of Evil: Cinematic Perspectives. Talking About Evil. Ed. Rina Lazar. Routledge. [Forthcoming]
2. Devlin, William J. and Shai Biderman. (2016). The Beguiling Horror of Hannibal Lecter. Hannibal Lecter and Philosophy. Ed. Joseph Westfall. Chicago, Open Court: 217-228.
3. Biderman, S. and W. Devlin. (2011) An Ethical Analysis of Traffic. The Philosophy of Steven Soderbergh. Eds. R. Barton Palmer and Steven M. Sanders. The University Press of Kentucky: 247-264.
4. Biderman, S. (2010). Do Not Forsake Me My Darling: Loneliness and Solitude in the Westerns. The Philosophy of the Western. Eds. Jennifer L. McMahon and B. Steve Csaki. Kentucky, The University Press of Kentucky: 13-29.
5. Biderman, S. and W. Devlin. (2009). Justice, Power, and Love: The Political Philosophy of Intolerable Cruelty. The Philosophy of The Coen Brothers. Ed. Mark Conard. Kentucky, The University Press of Kentucky: 109-124.
6. Biderman, S. and W. Devlin (2008). The Wrath of Nietzsche. Star Trek and Philosophy: The Wrath of Kant. Eds. Jason T. Eberl & Kevin Decker. Chicago & La Salle, Illinois, Open Court: 47-58.
7. Biderman, S. and W. Devlin (2008). The Tao of John Locke. Lost and Philosophy, The Island Has Its Reasons. Ed. Sharon Kaye. Oxford, Blackwell: 205-215.
8. Biderman, S. (2008). Recalling the Self: Personal Identity in Total Recall. The Philosophy of Science Fiction Film. Ed. Steven M. Sanders. Kentucky, The University Press of Kentucky: 39-54.
9. Biderman, S. and W. Devlin (2008). The Prisoner and Self-Imprisonment. The Philosophy of TV Noir. Eds. Steven M. Sanders and Aeon J. Skoble. Kentucky, The University Press of Kentucky: 229-246.
10. Biderman, S. and W. Devlin (2007). The Simpsons Already Did It! This Show Is A Freakin’ Rip-Off. Family Guy and Philosophy, A Cure for the Petarded. Ed. J. Jeremy Wisnewski. Oxford, Blackwell publishing: 149-59.
11. Biderman, S. and E. Jacobowitz (2007). Rope: Nietzsche and the Art of Murder. Hitchcock and Philosophy, Dial M for Metaphysics. Eds. David Baggett & William A. Drumin. Chicago & La Salle, Illinois, Open Court: 33-45.
12. Biderman, S. (2007). Stan’s Future Self and Evil Cartman, Personal Identity in South Park. South Park and Philosophy, You Know, I Learned Something Today. Ed. Robert Arp. Oxford, Blackwell Publishing: 202-10.
13. בידרמן, ש. ושלמה בידרמן. (2005). כי גדולה השנאה אשר שנאה מאהבה אשר אהבה: מחשבות על אהבות. משפטים על אהבה: משפט, חברה ותרבות. עורכות: ארנה בן-נפתלי וחנה נווה. תל אביב, הוצאת רמות (אוניברסיטת תל אביב): 415-432.
14. Biderman, S. (2005). The Roar and the Rampage: A Tale of Revenge in Kill Bill, Volumes 1 and 2. Movies and the Meaning of Life, Philosophers Take on Hollywood. Eds. Kimberly A. Blessing and Paul J. Tudico. Chicago & La Salle, Illinois, Open Court: 199-209.
15. Eisikovits, N. and S. Biderman (2005). Too Tired of the Future: Free Will and Determinism in Spielberg’s Minority Report. Movies and the Meaning of Life, Philosophers Take on Hollywood. Eds. Kimberly A. Blessing and Paul J. Tudico. Chicago & La Salle, Illinois, Open Court: 242-55.
פרסומים נוספים
1. בידרמן, ש. (2017). "אמת ומשמעות בקולנוע של ארול מוריס". תקריב: כתב עת לקולנוע דוקומנטרי 13 (http://takriv.net/).
2. בידרמן, ש. (2003). הסביר, השונה, ומה שביניהם: משפט ותרבות פופולרית בסדרה סיינפלד. המשפט ח: 265-288.